Modern Bodhrán brings the traditional Celtic frame drum into a contemporary music landscape.
The library includes four unique bodhráns, each with its own distinctive sound and character. You can read more about each drum in the section below.
For each drum, we recorded five unique tones, played with three different sticks at three dynamic levels. Each tone was captured with five microphones, including separate up and down strokes, with six repetitions of each.
That gives you 36 recorded variations for every tone, providing plenty of natural variation and making repeated notes sound organic.
The 2000+ samples in this library were beautifully performed by Marissa Waite and recorded at Gran’s House Studio in Scotland.

The bodhrán can produce a wide range of tones depending on where the musician’s hand is positioned inside the drum. We captured five different hand positions for each drum, plus rim shots, using three different sticks, three dynamic levels, and six repetitions of both up and down strokes.
This gives you 36 variations for every tone, providing plenty of natural variation for realistic performances.
The drum graphic on the interface displays a hand icon showing where Marissa’s hand was positioned inside the drum for each tone.
Up and down strokes are mapped to separate regions of the keyboard, allowing you to choose the stroke direction for each note.
You can also switch between the three sticks in real time using keyswitches.
Every performance was recorded with five microphones. Two were positioned at the rear of the drum and two at the front. A ribbon microphone was also used to add warmth and character to the overall sound, giving you another option in the mix.
The on-screen mixer provides three channels for mixing the mono ribbon microphone, front stereo pair, and rear stereo pair.
Modern Bodhrán includes 22 MIDI loops for you to drop in to your sessions. The selection includes grooves, reels, jigs, and slip jigs.
Each with it’s own history and sonic character.
6 Separate down and upstrokes for each drum, recorded with 3 different sticks.
The on-screen mixer provides complete control over the mics.
A huge range of variations thanks to the number of dynamics, sticks, strokes, and round robins.
22 MIDI loops with handwritten notation to get you started.
Recorded at Gran’s House studio in the Scottish Uplands.
Modern Bodhrán is a traditional Celtic percussion library featuring four unique drums. These instruments have been hand built by master craftsmen.
Built by Seamus O’Kane in Ireland in 2005. It’s made with lambeg skin and has 8 standard tuners on the inside of the rim, which can be manipulated using a screwdriver. This is quite a big drum with a 16″ frame. It has a beautiful smooth tone with a huge range. The tones have a really clear and soft quality, with a booming low end and a very high and striking top end.
A wonderful bodhrán made by Christian Hedwitschak, based in Germany. He crafts beautiful bodhráns, that are some of the most sought after and revered in the bodhrán playing community. The model we sampled is the Martin O’Neill Signature line, made in 2014. This is a slightly smaller drum at 14″ with a depth of 6″. It has a beautiful skin with a wide variety of tones that gives a very balanced sound across the whole range of the drum.
Built in 2007 by Steve Forman. Steve is a fantastic and highly respected percussionist based in LA who relocated to Scotland. This bodhrán is one he made as part of his Tambourine Studios Bodhrán collection. This bodhrán is made with a premium natural rawhide goatskin, on a 13″ all-maple Keller cylinder frame. It has a large tonal span and a slightly ‘harder’ quality to the skin
Crafted by John Wilson of Skye Bodhráns in 2009/2010. Another of the more modern style bodhráns with a deep rim and smaller 13″ frame. It has quite a wide range of tones and responds nicely under a mic and live. It also gives a good range of volume and responds well to the strength with which you strike the skin. As is common for many bodhráns made around this time, it is a more comfortable drum to play with its diameter and depth, but not as big a range tonally as one of Seamus O’Kane’s.
| Format | Rhapsody 3.2.0+ |
| Samples | 2232 @ 24-bit / 48kHz |
| Size (uncompressed) | 2.6GB |
| Instruments | 4 |
| Variations | 36 |
Built for the free Rhapsody Player. Runs on Windows, macOS, and Linux.
A sample library is a virtual musical instrument.
They are created by recording 1000s of individual notes on a real instrument.
These recordings are then chopped up into individual files, called samples, and mapped in software so that they can be triggered using MIDI.
Yes, the instrument runs within the free Rhapsody Player, which runs natively on both Intel and Apple Silicon systems.
Yes absolutely! For full details please see the software license.
Yes you can right click on most controls to assign a MIDI CC.
Yes. The instruments runs in the free Rhapsody Player which is available as an AAX plugin for use in Pro Tools.
Yes, but FL Studio occasionally brings up unique issues.
If you run into any problems in FL Studio there are two things you can try straight away.
If you’re still having problems with Rhapsody Player in FL Studio please contact us and we’ll do what we can to get you up and running.
The instrument runs within the free Rhapsody Player.
Simply download and install Rhapsody, and download all the .hr files for the instrument – there might just be one file or there could be multiple, it varies by instrument. The files are numbered so you know how many there are.
Next launch the Rhapsody standalone app, then click the + button and follow the on-screen instructions to install the instrument.
Yes. The studio recordings and simple controls make it easy to use with any style of music.